Retains the unique ability to both record and playback ultra-slow motion footage simultaneously, while adding the capability to accurately color match regular speed broadcast cameras using advanced Multi-Matrix Color Correction Technology
Featured News,
Posted 28 Mar 2012
New Petrol Bags include Deca Audio Bag, Liteporter carrier for Litepanels 1x1 LED, Rolling DigiSuite DSLR case, 2 new LCD Monitor bags
Featured News,
Posted 28 Mar 2012
St. Louis-area studio Gebbs.TV has created a renewable revenue stream and a powerful body of work producing promo videos for area schools that live on the schools' websites and serve as recruiting films and video mission statements.
Featured Articles,
Posted 28 Mar 2012
Panasonic BT-LH1850 features 1366x768 resolution, HD/SD SDI and HDMI connectivity, waveform monitor, vectorscope, and serial remote
Featured News,
Posted 27 Mar 2012
Ace features 5-step counterbalance, 8.8-lb payload range, and is ideal for lightweight HDV camcorders and video-enabled DSLR cameras
Featured News,
Posted 20 Mar 2012
In this final chapter of our 3-part series on Corporate Identity Videos, we'll go on set and into the editing bay with producers Rochelle Morris of Preface Films, Keith Kelly of Innovative Communications, Ryan Koral of Tell, and Dave Williams of Media Wave. Some of the clips they share here are of their own corporate identity videos.
Featured Articles,
Posted 15 Mar 2012
Adapting servo zoom ENG lenses to your DSLR rig with suitable rails and power makes for a smooth transition from prosumer camcorder to large-sensor video camera.
Featured Articles,
Posted 06 Mar 2012
SK-HD1500 uses standard 2/3" bayonet mount lenses, captures video at 2.5X and 3X speed; compact HV-HD33 3-MOS POV HD camera outputs SDI at multiple frame rates
Featured News,
Posted 05 Mar 2012
Canon 5D Mark III new video features include better noise reduction, longer continuous recording times, and a built-in headphone jack for audio monitoring
Featured News,
Posted 02 Mar 2012
Sony's NEX-FS100 presents challenges shooters never encounter with traditional camcorders, as well as different lens-mounting choices and caveats than DSLR shooters face. In this article we'll discuss the abilities and limitations of the FS100 for live event production work.
Featured Articles,
Posted 01 Mar 2012
With the open industry standard PS-IMS, users can choose from different lens mount adapters like PL, C-mount Leica M, Canon, Nikon, and more to capture cinematic moments in a digital world
Featured News,
Posted 22 Feb 2012
sideKick HD attaches to any HD camcorder or HDSLR using a standard 1/4"-20 mount, records to off-the-shelf, hot-swappable 2.5-inch SSD drives in native ProRes (FCP) or DNxHD (Avid) formats
Featured News,
Posted 22 Feb 2012
GoPro shoots for online video pros with the new HD Hero2, which adds an improved CMOS sensor, better glass, and from-the-wrist remote control and live streaming to a camera line that's become a go-to device for aerial, POV, and action sports applications.
Featured Articles,
Posted 22 Feb 2012
Timecode information embedded within the ancillary data space of HD-SDI video signals can now be written to HyperDeck's uncompressed or Avid DNxHD compressed video files.
Featured News,
Posted 19 Feb 2012
StreamingMedia.com/Producer focuses on tutorials and real-world technical advice for professional online video producers
Featured News,
Posted 16 Feb 2012
DSLRs have become the standard by which current and future large-sensor camcorders are judged. But as we adopted DSLRs and primes to produce more "filmic" video for our clients, we left something critical behind: the feathery smooth servo zoom that serves feature film producers so well. So how do you get that capability on your DSLR?
Featured Articles,
Posted 16 Feb 2012
New variable color temperature output solution designed for run-and-gun news shooters, event videographers or still photographers who move rapidly from one light environment to the next, with no time to change lighting equipment or add gels
Featured News,
Posted 15 Feb 2012
The FX-Motion Furio system has been used to control cameras and provide compelling visuals on productions such as the Eurovision Song Contest, So You Think You Can Dance and in augmented reality productions like the VGA awards as well as in news studio production environments.
Featured News,
Posted 14 Feb 2012
Gives shooters creative depth-of-field control by transforming any of Lensbaby's bending lens bodies into a tilt lens that delivers a selective slice of sharp focus through an image
Featured News,
Posted 14 Feb 2012
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